Women's athletic coach at Pacific Tech, Pat Pemberton (Katharine Hepburn) has a problem. A gifted athlete, she freezes when she is around her fiance, Collier Weld (William Ching). She resigns her job when her presence at the college endangers funding from an irate donor (she wasn't respectful enough to his wife when they lost a golf game), and competes in a golf pro-am. There, she attracts the attention of Mike Conovan (Spencer Tracy), a sports promoter. He encourages her to go pro, with him as her manager. Our film this week is Pat and Mike (1952). In their seventh (of nine) film appearances together (TCM article), Spencer Tracy and Katharine Hepburn are at the top of their game in this engaging and humorous film. When the two of them are together on screen, the fireworks are palpable. Their verbal sparring is part of what makes this film a classic. The film was written specifically for Tracy and Hepburn by their friends, Ruth Gordon and Garson Kanin (they'd previously penned Adam's Rib for the couple), with George Cukor in the director's chair. The authors were particularly interested in highlighting Ms. Hepburn's athletic prowess with their screenplay, and Ms. Hepburn did all the sports scenes herself (Sports Cinema 100 Movies: The Best of Hollywood's Athletic Heroes, Losers, Myths and Misfits by Randy Williams). Besides being excellent at golf and tennis, Ms. Hepburn swam on a regular basis, including dips in the ocean near her Fenwick, Connecticut home, even in winter (Women's World).
If there is one problematic aspect to the film, it's why someone as smart, sassy, and gifted as Pat would be involved with a dolt like Collier. William Ching is not all that attractive, and he is a bit of a stiff as an actor, so he brings nothing to the role that explains their relationship. On paper, Collier is a vile bully; he's verbally abusive and downright disgusting. He walks in late to his fiance's tennis match, making tons of distracting noise, openly laughing at her. He'd likely be thrown out of a real tennis match. We'd have like to have seen that happen. It was an absolute joy to see Pat throw her luggage out the window of the train and abandon her obnoxious fiance.
In the capable hands of Spencer Tracy, Mike starts as a conniver and learns the benefits of honest sports from his scrupulous charge. In their first scene together, Mike admires Mrs. Pemberton - "nicely packed, that kid. Not much meat on her, but what's there is cherce," he says. In the original script, the line was to read that Pat was "pretty well stacked." The film's producer Lawrence Weingarten objected - Ms. Hepburn, he said, was not "stacked." So the line was rewritten to "choice." It was Mr. Tracy who put the New York spin of "cherce" into the performances (Spencer Tracy: A Biography by James Curtis).
Chuck Connors (Police Captain) was a minor league baseball player - he'd been in the major leagues for 67 games (1 with the Brooklyn Dodgers; 66 with the Chicago Cubs), and was now working for the Los Angeles Angels (the Cubs minor league affiliate) - when he was approached by casting director (Memories and Dreams, 2018). Realizing his days as a player were coming to a close, he tried his hand at acting - this was his first role, and he is just fine as the bemused policeman. Mr. Connors would continue in films (like Move Over, Darling (1963) and Old Yeller (1957). But it was television that made his career - his five years as Lucas McCain on The Rifleman would bring the actor fame and a career that continued until his death of pneumonia and lung cancer (he was a three-pack a day smoker until the mid-1970s) in 1992.
Aldo Ray (Davie Hucko) had already done a few minor parts in films; the same year that Pat and Mike was released, he starred with Judy Holliday in The Marrying Kind. In his hands, Davie is child-like and trusting. His resentment of Pat blossoms into affection when she begins to look out for his career. He's a versatile actor, who doesn't always get noticed. If you've never seen him, Nightfall (1957), we strongly recommend you add it to your viewing list. Two other performances are worthy of note. Jim Backus (Charles Barry) has two small scenes as a tennis pro who encourages Pat to enter the golf pro-am. Charles Buchinski (Hank Tasling) is a riot as a gangster who gets a pummeling from our lady athlete (she's boxed, by the way). Mr. Buchinski would later gain fame as Charles Bronson.
The New York Timesreview by Bosley Crowther was very positive, and in his introduction to the film, Ben Mankiewicz called it one of Tracy & Hepburn's "best." It did well at the box office, bringing in nearly $2.7 million. Ruth Gordon and Garson Kanin received an Oscar nomination for Original Screenplay (AFI Catalog) - they lost to The Lavender Hill Mob.
We agree wholeheartedly that this is a film well worth viewing - it's not often you get to see a film about a female athlete that makes you want to pick up a tennis racket (or golf club) - and suggest this one for a day when you need a good laugh. We'll leave you with this trailer:
Women's athletic coach at Pacific Tech, Pat Pemberton (Katharine Hepburn) has a problem. A gifted athlete, she freezes when she is around her fiance, Collier Weld (William Ching). She resigns her job when her presence at the college endangers funding from an irate donor (she wasn't respectful enough to his wife when they lost a golf game), and competes in a golf pro-am. There, she attracts the attention of Mike Conovan (Spencer Tracy), a sports promoter. He encourages her to go pro, with him as her manager. Our film this week is Pat and Mike (1952).
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